

The story of the people we follow is nothing but the 9th simulated version of the lives of two people that existed in the REAL real world, and the interactions between the memory versions of Linry and Quincy (whose player avatar doesn't even know Linry), are nothing but shades of people playing out a fantasy orchestrated by Neill Watts (the real Linry's son) and his morally blank A.I. I was absolutely sold from the first hour of the story, finding myself crying multiple times as hit after hit came Linry and Quincy's way. Lynry and Quincy go through the wringer, and the absolutely gorgeous "A Reality Without Me" simply could not be played enough to underscore the tone of their challenged relationship. It wasn't shaping up to be as touching or inspiring as its predecessors, but the subject matter explored in Imposter Factory was definitely Freebird Games' most mature (and bleak) to date. And what a story it was for the first two hours, where I considered the characters to be the most mature and compelling individuals Kan and co. On a positive note, the game is made all the better by doing away with the puzzle/gameplay elements of its previous installments, choosing instead to dedicate all its runtime to storytelling. And while the music, endearing comedy, and grounded dialogue are all present in true Freebird fashion, I can't say I left the experience anywhere close to satisfied–especially considering the solipsistic implications created from the story's drastic shift in the third act. I've been closely following their work since 2011, and consider Finding Paradise to be one of the best video games stories I've experienced. (HEAVY SPOILERS AHEAD) It's tough to criticize such an obvious labor of love from Freebird Games. However, instead of sticking the landing with already established characters, Kan Gao and his fellow creators opt for a soulless twist that renders the prior events of the story drastically weakened. General Consensus: (SPOILERS) Impostor Factory starts out strong, with a characteristic gut-punch of emotion shifting the story into a General Consensus: (SPOILERS) Impostor Factory starts out strong, with a characteristic gut-punch of emotion shifting the story into a beautiful, heartbreaking drama halfway through.
